In Chinese art history, the theme of the tiger has appeared as early as four millennia ago, seen in artifacts like human-shaped pottery with tiger patterns and tiger motifs in bronze from ancient dynasties. However, due to limited knowledge of tigers in pre-industrial times, artists often depicted them based on legends and imaginative interpretations rather than direct observation. This resulted in highly stylized and symbolic representations of tigers.

By the late Qing and early Republic eras, artists like Gao Jianfu, He Xiangning, Zhang Shanzi, and Xu Beihong elevated tiger paintings to unprecedented heights, capturing their anatomy and symbolic meaning with remarkable precision.

Chung Chen Sun's Ink Tiger exemplifies the advancements of modernity, blending detailed observation of the tiger's natural habits and anatomy with traditional Chinese brush techniques. The painting uses bold ink strokes to define the tiger's stripes and delicate, dynamic lines to depict its whiskers, creating a lifelike yet artistic portrayal. The vivid expression and interplay of ink and form bring vitality and charm to the piece, showcasing the artist's mastery.